“These violent delights have violent ends …” — William Shakespeare

Romeo and Juliet

RUNTIME TBC

John Cranko’s epic version of Shakespeare’s most heart-rending love story returns to The Australian Ballet.

The Story
An artist who effortlessly fused dance and drama, Cranko richly evokes the grandeur of the Capulets’ ball, the fierce clashes of the rival families and the brief, luminous flare of young love. His Romeo and Juliet premiered in 1962, the year The Australian Ballet was founded, and generations of our dancers have grown up with the production and gone on to shine in its many dream roles.

The Music
Despite meddling from Stalin’s officials and an initial rebellion from the Bolshoi Ballet’s dancers (who pronounced the music ‘undanceable’), Prokofiev’s score has proven itself as immortal as Shakespeare’s play. As clearly as words could, the music lays out the progress of the story, evoking swordplay, ecstasy, murder and the looming approach of the lovers’ fate.

The Design
Jürgen Rose’s dramatically resonant design captures the pageantry of medieval Verona, contrasting the heavy splendour of the aristocratic elder generation with the billowing fabrics of the young lovers' carefree abandon.

David’s insight:
“As an audience member, the most touching aspect of Romeo and Juliet is the unfolding of the story in front of your very eyes. I have danced performances of Romeo where the audience was with us in every scene; they become a part of the ballet. I lost myself through expressions of love, elation, vengeance and ultimately death; and the audience left the performance as heartbroken as the characters on stage.”

If you think you’ve seen Romeo And Juliet, think again. This is a revelation

Daily Express

The pageantry of Verona, the clash of murderous hate and passionate love. 

Artists of The Australian Ballet. Photography Jeff Busby

PRODUCTION CREDITS

Choreography John Cranko
Music Sergei Prokofiev
Staged by Reid Anderson
Costume and set design Jürgen Rose
Lighting design Jon Buswell

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